French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.  Related Paintings of Master of Moulins :. | The Meeting of Saints Joachim and Anne at the Golden Gate | The Dauphin Charles-Orlant | Anne of France presented by Saint John the Evangelist | The Dauphin Charles Orlant | Madonna and Child Adored by Angels |
Related Artists:
William Small
British , 1843 - 1929
Charles - Theodore Frere
French, 1814 - 1888
Evert Oudendijck
(1650, Haarlem - 1695, Haarlem), was a Dutch Golden Age painter. According to Houbraken he painted stag hunts and other hunting scenes in landscapes, along with the artist "Drossaart". He was the father of Adriaen Oudendijck. According to the RKD he was registered in the Haarlem Guild of St. Luke in 1663 as the pupil of Adriaen van Ostade which would make him about 15 years old at that time.His registration as a member of the guild in 1646 is therefore impossible. Though Evert Oudendijk is listed in the Haarlem guild register as a member in 1646, he probably became a member in 1664 (a year suspiciously lacking member registrations), like other members mistakenly registered in 1646, such as Evert Collier and Egbert van Heemskerck. He is listed two other times in the Haarlem guild; in 1663 (listed as Ostade's pupil "Evert Adriaanszen van Oudendijck") and as painter in 1670.